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On the road of life, we often encounter setbacks and difficulties, just as flowers have experienced the withering of flowering period and become "red". Gong Zizhen's "Falling Red" was originally a symbol of the decline of life, but the poet gave it a completely different and inspirational interpretation. It inspires us that even in adversity, even if we fall from the original glamorous "branches" and fall into a seemingly down-and-out situation, we should not feel sorry for ourselves and sink passively. Just like falling red is not immersed in the fading sadness, but with a positive attitude, she sees the value that she can transform-turning into spring mud to nourish new flowers. This tells us that setbacks are not terrible. The key lies in whether we can change our perspective in the predicament, tap our new value, and turn the unfavorable situation into an opportunity to continue to help growth, help others and help society.-Clever choice of images: the image of "falling red" in the poem, that is, falling flowers, is a dying thing, which is usually easy to remind people of the disappearance of beautiful things and the fall of life, with a sad and lonely color. However, the poet gave it a brand-new and positive meaning.Artistic conception creation level

Structural action levelThe power of continuing dreams and inheriting missions.-The key link between the preceding and the following: This sentence plays a vital role in the poem "Ji Hai Miscellaneous Poems No.5". The poet described his resignation from Beijing and bid farewell to the land of many years of life and official career. It was a complex emotion intertwined with disappointment. "The mighty sorrow leaves the sky, and the whip refers to the end of the world" outlines the picture of parting and the sad mood. However, "Falling Red is not a heartless thing, but turning into spring mud can protect flowers more" skillfully inherits this parting, further visualizes one's complex emotions through falling red flowers, and at the same time opens the following chapter, expanding from simple personal emotion expression to expressing one's lofty ambition to contribute to the society despite being far away from officialdom, so that the emotional context and ideographic level of the whole poem can be promoted coherently and deeply, and the structure is very compact and natural.

"Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem:Cycle after cycle, cycle after cycle.Artistic conception creation level